You can even reduce the playback speed while the sheet music is displayed. This gives you access to vocal, guitar, bass and drums parts with the possibility to adjust the volume, mute and solo each track. Its principle is simple but brilliant: it is a practice tool for musicians that allows us to access sheet music and multitrack playbacks of songs by numerous artists and bands. To wrap it up, let’s just add that Mobile POD does not have a recorder, which is not all that bad considering that it is compatible with and can be managed by any DAW, via Audiobus.Īside from Mobile POD, Line 6 also refers us to Jammit, another “free” app with an in-app purchasing option, with which it has reached an agreement. It’s a pity that Line 6 didn’t adapt its design to smaller screens, like IK did. It’s not like the app is useless, but the controls are hard to read and adjust. Relatively well conceived, from a design point of view, it is really pleasant to use on a tablet, but it is clearly less comfortable to use on an iPhone, even with the large Retina of an iPhone 5. It’s great and the fat sound of the brand is there, even if not everything is perfect: while we can import any song from our MP3 library to play back to it, I couldn’t find a way to adjust the volume of the MP3 and the guitar separately.Īpart from that detail, our main criticism of the Mobile POD has more to do with the fact that it has the same interface for the iPad and for the iPhone/iPod. And to simplify your life, the app can be connected directly to where you can find thousands of free user presets (including many repeated ones), most of which recreate the sound of a particular guitarist or band on such or such song. Without an in-app purchase option, it offers 32 amp models, 13 effects on an 8-slot chain and 12 speaker cabinets, which you can combine at will to create an almost infinite number of variations. The free Mobile POD, which can only be used by owners of Line 6 interfaces, is far from being as limited as the Amplitube Free. And it is the perfect opportunity to set itself apart from IK and Apogee. Line 6 would certainly not content itself with merely delivering a device without any software. But that would’ve surely increased its price. So, in short, a device that is good in terms of features/size/price but lacks a USB port to be able to continue loading the iDevice while using the Sonic Port, and a mic input ─ or even a built-in microphone ─ to make it the perfect mobile interface. It’s good to know that and also to know that this output can also be used by the other audio apps on your iDevice, not only the music apps but also Apple’s player… There’s really not much to say about them except that the level of the headphone output is higher than that of my iPhone 5. Let’s finish by pointing out that the outputs allow you to connect the interface to a guitar amp and your headphones. So you cannot record two instruments at the same time, it must be one or the other. But do bear in mind that using the Guitar input disables the auxiliary input. A good point indeed, especially considering that thanks to the additional minijack input, you can profit from it for something else, like a synth, for instance. This means that, by using its own converters rather than those of the iPhone or iPad, it provides a wider guitar sound in the low end with better defined highs than with Apple’s AD converters. Today I will try and figure out the looping aspect of it.In use, Line 6's baby provides the same advantages in terms of audio than the Jam or the iRig HD. It was pretty nice to be able to see his stuff and then slow it down. If they had this 30 yrs ago, I probably wouldn't suck so bad today! LOL.įor the record, I was working on the Kotzen tunes last night. They rate the difficulty of the song as well. Those are mixed in with all sorts of a variety of artists. They have Paul Gilbert's Fuzz Universe, and Richie Kotzen Peace Signs and Paying Dues. I just bought Montrose's Rock Candy for 99 cents. Also, as mention above the transcription moves along with the music. You can loop, slow down (without changing the pitch, ) and work on just sections of the song. BTW, this is assuming you bought the Guitar version of the song. You get a mixer, with a click track, band track, isolated guitar track, and a track for you to record on. As mentioned above, the transcriptions are dead accurate. Even for the most expensive songs ($4.99) are fairly priced. You get so much for the price it is insane.
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